BIBFRAME Work
Title
Psychoacoustic foundations of major-minor tonality
Type
- Monograph
- Text
Contribution
Subject
- Psychoacoustics (LCSH)
- Chords (Music) (LCSH)
- Musical intervals and scales (LCSH)
- Tonality (LCSH)
Language
Illustrative Content
Classification
- LCC: ML3811 .P37 2024 (Assigner: dlc) (Status: used by assigner)
- DDC: 781.2/6 (Assigner: dlc)
Content
Supplementary content
Summary
"A leading music psychologist and theorist explains how Major-Minor Tonality came to assume its dominant place within music composition"-- Provided by publisher.
Table of Contents
Part I. Interdisciplinary Introduction. Definitions ; Approaches ; Rudiments -- II. Extra-Musical Foundations. Metaphysics ; Auditory Scene Analysis ; Auditory Sensitivity -- III. Musical Foundations. Matthew Shirlaw ; Hugo Riemann ; Diverse Epistemologies ; Scales and Intervals ; Chant and the Leading Tone ; Notation, Accidentals, and Enharmonics -- IV. Perception of Sonority. Pitch ; Consonance and Dissonance ; The Root of a Chord ; Spectral Pitch in Chords ; Jazz Harmony -- V. Perception of Progression. Pitch Commonality ; Tonality ; Progression and Modulation ; Structural Cognition -- VI. The Big Picture. Theoretic Evaluation ; Universals and Diversity.
Authorized Access Point
Parncutt, Richard, 1957-. Psychoacoustic foundations of major-minor tonality
Admin Metadata
- Date: 2026-09-30T17:49:23.925727+00:00
- Agent: cbc
- Status: c
- Derived from: 23173832
Admin Metadata
- Date: 2026-09-30
- Cataloger id: Unknown
- Description level: http://id.loc.gov/ontologies/bibframe-2-6-0/
- Description language: eng
- Description authentication: pcc
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