BIBFRAME Work

Title

Psychoacoustic foundations of major-minor tonality

Type

  • Monograph
  • Text

Contribution

Language

Illustrative Content

Classification

Content

Supplementary content

Summary

"A leading music psychologist and theorist explains how Major-Minor Tonality came to assume its dominant place within music composition"-- Provided by publisher.

Table of Contents

Part I. Interdisciplinary Introduction. Definitions ; Approaches ; Rudiments -- II. Extra-Musical Foundations. Metaphysics ; Auditory Scene Analysis ; Auditory Sensitivity -- III. Musical Foundations. Matthew Shirlaw ; Hugo Riemann ; Diverse Epistemologies ; Scales and Intervals ; Chant and the Leading Tone ; Notation, Accidentals, and Enharmonics -- IV. Perception of Sonority. Pitch ; Consonance and Dissonance ; The Root of a Chord ; Spectral Pitch in Chords ; Jazz Harmony -- V. Perception of Progression. Pitch Commonality ; Tonality ; Progression and Modulation ; Structural Cognition -- VI. The Big Picture. Theoretic Evaluation ; Universals and Diversity.

Authorized Access Point

Parncutt, Richard, 1957-. Psychoacoustic foundations of major-minor tonality

Admin Metadata

  • Date: 2026-09-30T17:49:23.925727+00:00
  • Agent: cbc
  • Status: c
  • Derived from: 23173832

Admin Metadata

  • Date: 2026-09-30
  • Cataloger id: Unknown
  • Description level: http://id.loc.gov/ontologies/bibframe-2-6-0/
  • Description language: eng
  • Description authentication: pcc

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