BIBFRAME Work

Title

The surface of things

Type

  • Monograph
  • Text

Contribution

Subject

  • Photography of women--Africa, East--History (LCSH)
  • Photography--Africa, East--History (LCSH)
  • Women--Africa, East--Social conditions (LCSH)
  • Photography--Social aspects--Africa, East (LCSH)
  • Africa, East--Social conditions--19th century (LCSH)
  • POLITICAL SCIENCE / Colonialism & Post-Colonialism (BISACSH)
  • Africa, East--Social conditions--20th century (LCSH)
  • PHOTOGRAPHY / History (BISACSH)

Language

Illustrative Content

Classification

  • PHO010000
  • DDC: 770.967
  • LCC: TR119.E18 M45 2024 (Assigner: dlc) (Status: used by assigner)
  • POL045000

Content

Supplementary content

Summary

  • "The first history of photography from Africa's Swahili coast, revealing the images' complicated relationships to colonialism and global influence"-- Provided by publisher.
  • "The first major history of photography from Africa's Indian Ocean world. The ports of the Swahili coast-Zanzibar and Mombasa among them-have long been dynamic centers of trade where diverse peoples, ideas, and materials converge. With the arrival of photography in the mid-nineteenth century, these predominantly Muslim coastal communities cultivated and transformed the medium. The Surface of Things examines the complex maritime dynamics that shaped the photography of coastal Africa, exploring the pleasure and power of beautiful things and the ways people and their pictures transcended the boundaries of the colonial world. Immersing readers in the globally interconnected networks of eastern Africa's port cities, Prita Meier demonstrates how photographs are not static images but mobile objects with remarkable shape-shifting qualities. Beginning with the earliest photographs introduced through seaborne commerce, the medium's integration into the cultural landscape was swift. Photographs functioned as objects of decoration, good taste, and cosmopolitanism, but were also used by local elites and foreigners to coerce and objectify enslaved girls. Meier uncovers the oppressive agenda behind postcards and other popular images while describing African strategies of subversion and rebellion, revealing the performative authority that individuals exerted over their photographic likenesses. Featuring more than two hundred images published here for the first time, The Surface of Things repositions the continent's islands and archipelagos at the center of global photographic histories and shows how the people of the African Indian Ocean world experienced photography as a force of both oppression and freedom"-- Provided by publisher.

Authorized Access Point

Meier, Prita. The surface of things

Geographic Coverage

Admin Metadata

  • Date: 2026-09-30T17:49:27.512297+00:00
  • Agent: cbc
  • Status: c
  • Derived from: 23438661

Admin Metadata

  • Date: 2026-09-30
  • Cataloger id: Unknown
  • Description level: http://id.loc.gov/ontologies/bibframe-2-6-0/
  • Description language: eng
  • Description authentication: pcc

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